

I remember some discussion of this record on Bagatellen, but it never got a proper review. For me, it was one of the best discs of 2005, not to mention the Hopscotch label’s crowning achievement to date.
The crystalline opening of “Love Is” doesn’t so much set the mood—nothing so trivial!--as portend a mysterious journey; many openers function similarly only to be let down by the rest of the piece or by succeeding tracks. Not so here! Tsahar’s clarinet is exquisite, buoyed by the pan-Eastern ripples and alien bells of the always-stunning Tatsuya Nakatani, whose range of dynamics and timbre on this disc borders on frightening. The string work, a quartet from which the individualities of Katt Hernandez and Audrey Chen often stand out, can also be extremely unified. Check out the title track for exemplary quartet interplay, but also for some of the most movingly nostalgic music on the disc. It somehow breathes 1930s air, primarily due to Tsahar’s Humphrey Bogart tenor, sincere without being overly smooth, until Nakatani’s gong flips planet momentarily—American guilt usurped by Korean Han?
Whatever the underlying emotive states, and they shift throughout, this is a well-executed and extremely moving disc. The recording is also first-rate, space and detail in perfect symbiosis, making for a really satisfying listen. I hope to hear more from this configuration, sooner rather than later.
~ Marc Medwin
Posted by derek on January 7, 2007 1:11 PMHuh. I thought this one WAS reviewed here. Anyhow, I figured I'd love it, after Fragments and Jam, both of which are really great, IMO. And I'm a big fan of Katt's. I was disappointed, though. I actually think it's one of Tsahar's weaker releases.
Posted by: walto at January 8, 2007 4:24 AMWas it reviewed here? I'm sorry, I missed it!
Posted by: marc at January 8, 2007 5:31 AMDon't recall a review here, but there's one at PT.
I agree with what Walt says above, however.
http://www.paristransatlantic.com/magazine/monthly2006/02feb_text.html#5
I got it from Nakatani, but have not been able to listen to it enough.
I'd say Hopscotch's crowning achivement is the Kowald/Fernandez "Sea of Lead".
I did play a gig at Assif and Daniel Siad's (a great pianist who I think has a Hopscotch release) club in Tel Aviv last month.
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