Broken Hands/Lucky Rabbit - Lucky Hands

luckyhands.jpg

TwoThousandAnd 2+11

A live recording on Resonance FM featuring the two duos in various permutations. I confess to having a pre-existing predilection for Broken Hands, having greatly enjoyed the work of Anthony Guerra and Michael Rodgers in this and other contexts, and that opinion was borne out by this set. The first two tracks split up the teams into two other possible duos, Guerra with saxophonist Seymour Wright and Rodgers with guitarist Ross Lambert. Both are ok, the first contrasting Wright’s ultrahigh squealwork with staticky pops, the second setting (I’m guessing) Rodger’s more laid back, tonal approach with Lambert’s noisier one. OK, but nothing too special. The third and fourth cuts are Lucky Hands, the former a rather unfortunate piece with Wright producing some human beatbox imitations, quasi-throat song and desultory splutters over drone-y then spatter-y guitar, the whole thing sounding something like an outtake from an early 80s Zorn session. The other improv is far more involving, Wright (I think…) generating delicate, light-stepping percussive sounds (via his alto?) complimented obliquely but poetically by Lambert’s mixture of scrabblings and long tones.

But it’s the two tracks by Broken Hands that make the disc worth owning. That conflux of laid-back yet intensely contemplative guitar, with its evocations of Fahey, combined with equally finely observed noise is a potion that still causes my knees to weaken. Both pieces are luxuriant and lovely with exactly the right amount of harshness, allowing the feathers to prick from inside the pillow. When the second one finds itself, toward the end, in down and out blues territory, it feels unexpected, wonderful and appropriate. The final cut brings all four musicians together and, as on the initial two duos, the results are perfectly ok but easily a step or three down from the heights of the Broken Hands performance, though this track seems to have been cut off part of the way through, so who knows?

The typically fine and intriguing TwoThousandAnd packaging plus the two Broken Hands pieces make this rather mixed bag something to pick up.

Posted by Brian Olewnick on November 27, 2005 12:19 PM
Comments

We're getting like the Wire and reviewing things twice now? www.bagatellen.com/archives/reviews/001029.html
We'll see what Ross has to say about this one.. at least you didn't describe him as "whimsical":)

Posted by: Dan Warburton at November 27, 2005 9:56 PM

Damn, was this here already?? Hey, it was sent to me by the Bags gods, so WTFDIK??

Posted by: Brian Olewnick at November 28, 2005 5:28 AM

Ah, now I see that all the other back and forth subsequent to the reviews obscured, unsurprisingly, my memory of the write-ups themselves. Sorry about that.

In any case, I like the Broken Hands sections enough to be glad it gets renewed exposure...

Posted by: Brian Olewnick at November 28, 2005 7:15 AM

Variety is the spice... and if we can get several others to weigh in we'll have something approximating Walto's Algonquin Round Table, an idea that sadly got shelved in the Bags Dead Letter Office some time ago & deserves to be resuscitated IMO.

Posted by: derek at November 28, 2005 7:53 AM

I was going to send all the discs to Joe (a.k.a. one of the Bags gods) for sending on for review, with an extra copy of Lucky Hands for himself. Then Dan got his review up on here before that, so I just sent Joe the copy of Lucky Hands anyway as a present. So it's now a gift to you, Brian!

Thanks for your comments Brian. Any of my comments about the disc will have an obvious bias to them. Suffice to say, I believe there's 'something for everyone' on this disc! For example, some more adamant improv-heads may prefer Lucky Rabbit's splutter and splatter to any semblance of melody found in the Broken Hands tracks. And Biz Markie fans may, uh, go for Seymour's beatbox breaks. :)

This recording was taken from the on-air feed at Resonance, so the point where the last track cuts off is when some dude comes in very loud and breathy 'Uh, um, well, you're listening to Resonance FM . . .' We played for about 10 more minutes before they told us in our booth that we weren't on air anymore!

M

Posted by: Michael Rodgers at November 28, 2005 10:02 AM


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