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The Holy Modal Rounders Live and in the Studio on ESP

When I was first tapping the musical underground as I understood it in the 1990s, the term “folk-punk” flew around the ether, describing politically-charged acoustic music, done with a certain do-it-yourself aesthetic and pressed in very small runs. Of course, this term had very little to do with folk music as it happened in Greenwich […]

Paul Bley Quintet – Barrage

ESP 1008 Critics in the halcyon days of American free jazz have been rather guilty of oversimplification, and that is nowhere clearer than with the pianists. Either one played “like Cecil” or one didn’t, and that “didn’t” often meant Paul Bley. His approach was perceived to be quieter, more tonally ambiguous, and nearly a free […]