I’m continually surprised at the rate with which Ernesto Rodrigues mobile spy java software releases discs on his superb Creative Sources mobile spy java software imprint. As most folks reading this know, the excellent viola/violin/electronics mobile spy jar format improviser began to document Portuguese and Spanish improvisation mobile spy java software several years back and has quickly developed his label into one of the premier mobile spy jar format outlets for improvisation at the intersection of European free music, electroacoustics mobile spy jar format, and new music. I recently opened up my mailbox to find a package stuffed mobile spy j2me with seven of the label’s latest goodies. All told, it’s mobile spy hunter a strong batch.
Istmo (CS 023) mobile spy kenya mobile spy kaspersky the fantastic trio of Ferran Fages (acoustic turntable), Ruth Barberán mobile spy java software (trumpet), Alfredo Costa Monteiro (accordion), whose mobile spy java software initial release Atolón (on Rossbin) was a jarringly noisy mobile spy j2me slice of reality. On this followup – consisting of two tracks recorded mobile spy hunter in the fall of 2003 in Toledo and Barcelona – the grit and alien organics of the trio’s johnny english reborn mobile spy kit debut are back, but the music is slightly less relentless and has a wider johnny english reborn mobile spy kit textural palette. One of the new elements is Barberán’s wonderful mobile spy hunter, didgeridoo-like low end ruminations on her trumpet. Her range is really growing mobile spy j2me these days and this gnarly, crackling trio – with the insane colors Fages mobile spy java software whips up often being the least predictable mobile spy hunter – is the perfect setting for her. But the group language is growing too, now including johnny english reborn mobile spy kit passages where they ease back on the throttle and assemble relatively delicate mobile spy j2me layers of tonality. The key figure here is Monteiro, who really mobile spy java software shapes this music with his silences, his wheezing, his aggression, and his ever-so-occasional mobile spy java software lyric gesture. Tough, fascinating, and wonderfully mobile spy j2me unpredictable stuff.
In April 2004, Claudio Rochetti (turntable mobile spy hunter, small percussions, radio), Fhievel (field recordings, objects) mobile spy java software, and Luca Sigurta (cymbals, objects, toys) got together to record mobile spy hunter the two improvisations comprising Pocket Progressive (CS024) mobile spy java software. What distinguishes this recording from the others in this batch is Fhievel’s use of field mobile spy hunter recordings. In some ways, this recalls Jason Kahn’s and Greg Kelley’s mobile spy kolkata recent experiments with these materials. But this trio works in an area that is more expansive mobile spy hunter than Kahn’s Songs for Nicolas Ross and less caustic mobile spy java software than Kelley’s I Don’t Want to Live Forever. Muffled street mobile spy j2me and animal noises float in and out while flinty mobile spy hunter percussive and metallic noises squirm together as if craving mobile spy java software release from some containment. Much of the first track sounds like a bunch mobile spy hunter of crinkled-up aluminum foil straightening itself out. And while mobile spy jailbroken the second piece retains a roughly similar feel, the very closing minutes mobile spy j2me open up a huge echo-drenched space followed by the tiny sounds of skittering johnny english reborn mobile spy kit electronic mice and sine tones. What really compels during mobile spy java software these pieces is how distinct this trio sounds, considering the instrumentation mobile spy hunter (you’d be hard pressed to pick out just where those toys and radio johnny english reborn mobile spy kit and so forth are at work). Almost like the fragment of a Xenakis mobile spy hunter piece distilled to its essence and improvised over the course mobile spy j2me of 35 minutes, this crackling, sizzling trio is excellent. They have a clear focus johnny english reborn mobile spy kit on specific sounds and areas of the music, and they let things develop mobile spy hunter patiently.
One of Creative Sources’ sub-genres is the solo winds recording johnny english reborn mobile spy kit (check out Bertrand Gauguet’s recent Etwa). Wade Matthews is a new name to me, though mobile spy jar format he has apparently been an active presence in Europe over the last few years. On Aspirations & mobile spy hunter Inspirations (CS026) he sticks to alto flute and bass clarinet mobile spy hunter alone, using close miking to conjure mobile spy hunter up some wild, unearthly sounds – often he produces overtones, sympathetic mobile spy hunter vibrations and the like which suggest overdubbing has occurred (it hasn’t) mobile spy j2me. Feedback hums, pinched breath noises, radio static mobile spy jailbroken, and more all emit from Matthews’ lungs and mouth. Recorded between 2002 and 2004, these mobile spy j2me nine studies of breath (dig the etymology in the title?) are each compellingly mobile spy jailbroken atmospheric. Some highlights include “Remembering William” mobile spy hunter (where Matthews generates a pretty wild pulse mobile spy java software track with his fingering, layering rough breathy mobile spy jailbroken slashes atop it), “Discontinuing continua” (with its soft chirrups and rustles from bass clarinet) johnny english reborn mobile spy kit, and “Cassandra Wakes Up and Thinks for Herself” (with Robert mobile spy hunter Dick-like flute magic from drops in the pond all the way to spitty choruses) mobile spy jar format. My favorite is “Scappa Flow,” the most seriously breathy of these mobile spy hunter pieces, almost like a Berio Sequenza for amplifier hiss and wah pedal mobile spy java software. Nice stuff.
Sunday Sundaes (CS030) is an altogether mobile spy kolkata more declarative and caustic solo reeds performance, by the veteran Stefan johnny english reborn mobile spy kit Keune (who here plays alto and sopranino saxophones). Covering mobile spy jar format a lot of bases, these eleven tracks (recorded mobile spy j2me from August – September 2004) concentrate on the saxophones’ harsher mobile spy jailbroken properties: squeals, wails, hollers, and blurts. From the opening “Conically mobile spy kenya Speaking” – where Keune seemingly tries to force mobile spy jar format as much air through the bell as possible, in almost Gustafsson-like voice johnny english reborn mobile spy kit – you know you’re in a different territory than one usually occupies mobile spy hunter on a Creative Sources release. “The Mole” and the long “Fric mobile spy jailbroken Frac” concentrate on overblowing and split tones almost mobile spy hunter exclusively; as an essay on harshness, this is pretty effective mobile spy kolkata stuff (particularly the super-intense tracks like “Ambit Gambit”) mobile spy hunter. But it’s not really where my ears are these days.
Several years on from their first release Luwa (on Rossbin) mobile spy jar format, Ailack (CS027) finds Tetuzi Akiyama (tape johnny english reborn mobile spy kit delayed electric guitar), Jason Kahn (analogue synthesizer, percussion) mobile spy java software, and Utah Kawasaki (dismantled Roland synthesizer, cell phone) mobile spy jailbroken in an altogether more provocative place than their earlier mobile spy jailbroken music. Fan that I am of these musicians, I felt like Luwa wasn’t as successful johnny english reborn mobile spy kit as it could have been. This recording – a single, 35-minute track recorded mobile spy jailbroken in April 2004 at Tokyo’s Kid Ailack Art Hall – benefits from a better mobile spy kolkata acoustic, a better recording, and better empathy among johnny english reborn mobile spy kit the players. The main musical relationship is between the vast reverberation (which mobile spy java software often flirts with tonality) that permeates much of the beginning, and various rude noises mobile spy j2me that slash, shove, and kick at the drift towards settled meditative mobile spy hunter space. To me, the central presence here is Akiyama; he gets quite mobile spy hunter deep into his twisted, fractured blues, which emerges here like some alien mobile spy hunter language. But nothing really gets complacent in this music, as during mobile spy hunter the second half of the piece things get quite dense mobile spy j2me and loud (a surprise given the players involved), and the music starts johnny english reborn mobile spy kit to sounds like a giant piece of tuned metal expanding mobile spy kaspersky outward. One of the best discs of this batch.
Kenon (CS028) mobile spy hunter mobile spy kenya a trio of up and coming Japanese improvisers: Kazushige Kinoshita on violin mobile spy jailbroken, Masahiko Okura on alto saxophone and tubes, and – the best-known mobile spy kaspersky of the three – Masafumi Ezaki on trumpet and metals. The disc opens mobile spy j2me with metallic clangs that almost recall Threadgill’s hubkaphone mobile spy java software or the early improvisations of the Creative Construction Company mobile spy j2me (albeit with different musical sensibilities). Like a door which opens slowly mobile spy jar format to reveal the room within, the two long improvisations (from June 2004) johnny english reborn mobile spy kit reveal themselves cautiously, one fragment at a time, as metals and tubes establish mobile spy j2me the space within which Kinoshita can roughly press mobile spy kolkata his bow on the bridge, Okura and Ezaki can wheeze and spit and hiss. The first track mobile spy jar format is mostly percussive – scrapings, clicks, and pops that bring the music mobile spy j2me to boil, occasionally letting off steam. The second is slightly johnny english reborn mobile spy kit more active, both in terms of density and the occasional tonality that creeps mobile spy java software in (I was reminded of early Partch studies somehow) johnny english reborn mobile spy kit. An unpredictable, satisfying disc.
Finally, one of the strongest, most beguiling releases of this batch mobile spy j2me is Amber (CS031). A wickedly good quartet – Rhodri Davies mobile spy kolkata (harp), Robin Hayward (tuba), Julia mobile spy j2me Eckhardt (viola), and Lucio Capecce (soprano saxophone, bass clarinet) mobile spy kolkata – deliver two rich improvisations, recorded in April 2004 in Berlin. Four acoustic instruments johnny english reborn mobile spy kit are reduced to their granular essence, and these instrumentalists mobile spy java software reconstruct sound through their expert, knowing mobile spy hunter use of breath and articulation. The huge round sound from Hayward’s tuba, the gentle hiss and release mobile spy hunter from lightly bowed strings or reedwork, and the always unpredictable Davies mobile spy jailbroken work in concert to create a singular sound. Whether bowed, breathed johnny english reborn mobile spy kit, plucked, or struck, the instruments slowly merge into one another mobile spy hunter to produce a rich palette where tones blend johnny english reborn mobile spy kit, colors combine, and shapes shift. What’s mobile spy jar format even better is the way in which the quartet frequently achieves – through exactly mobile spy hunter this kind of blending – a sound that is very close to electronic music mobile spy java software, with nuances of feedback, sine tones, and so forth (I suspect Davies mobile spy hunter may be using an Ebow here). In general the mood is very still and quiet mobile spy kaspersky, so that the few passages of raucousness and aggression have more power. One of the better johnny english reborn mobile spy kit discs I’ve heard so far this year.
Taken together, this septet of discs is worthy not just for their quality mobile spy jailbroken but also for their documentation of this music (and some of its lesser known players) mobile spy hunter. Rodrigues already has a new batch out. In the meantime, however mobile spy jailbroken, don’t miss out on some of these gems.
~ Jason Bivins