The contest for bleakest film noir is one wrought with contention. Robert Aldrich’s Kiss Me Deadly is often named as a favorite for the prize, but there are several lesser contenders also worthy of consideration. Shot on the streets of New York in 1959 and released roughly two years later, Allen Baron’s Blast of Silence [...]
"The amplification and magnification of the sound that I produce is really just a natural extension of electric guitar. Developing the suitable technique and language, to produce the music one wants, is the real issue."